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Shostakovich Part II

June 25, 2020 @ 3:30 pm - 5:00 pm EDT

Shostakovich Part I and II

In this two-part series, musicologist Matthew Heck guides us first through an historical context that sheds light on Soviet composer Dmitri Shostakovich’s music – focusing on his string quartets.  The second talk will take a closer look at musical and extra-musical stylistic elements through his Third Quartet.

Part II:  “We are all sprung from under Gogol’s cloak”: Ambivalence in Shostakovich’s Third Quartet

In his second talk, Matthew guides us through a “holistic” analysis of Dmitri Shostakovich’s Third Quartet, focussing on the first movement. Drawing from musical analysis as well as informal listening-led storytelling, Matthew highlights the ways in which Shostakovich undermines conventions and destabilizes musical components to introduce a pillar of the composer’s aesthetic, a characteristic that the musicologist Levon Hakobian calls “an organic incapacity to refrain from being ambivalent or contradictory.” This multivalent quality runs through almost all of Shostakovich’s work and ties it both to Soviet forms of Aesopian expression and deeply rooted themes of Russian literature, particularly the uncanny and evanescent qualities that saturate the “Petersburg texts” of Nikolai Gogol and Fyodor Dostoevsky.


Recommended reading:

Wendy Lesser: Music for Silenced Voices: Shostakovich and His Fifteen Quartets

“ A paean to Shostakovich’s quartets and their significance… Literate, sensitive and imaginative.”  – New York Times Book Review

“Wendy Lesser, a quiet giant of the world of criticism, most recently turned her far-reaching curiosity on the chained genius.  In Music for Silenced Voices, she gives us a biography written within the narrative framework of his fifteen quartets.  Lesser’s premise is that the quartets are Shostakovich’s truest music – that they are “a kind of ‘diary’ that records ‘the story of his soul,’ as his widow puts it – they offer unparalleled access to the composer’s inner life.”  – Alli Carlisle, Full Stop.

Julian Barnes: The Noise of Time

Barnes is the author of twenty previous books, and has received the Man Booker Prize, the Somerset Maugham Award, and more.

“A condensed masterpiece that traces the lifelong battle of one man’s conscience, one man’s art, with the insupportable exigencies of totalitarianism.” – The Guardian

A tense and elegant study of terror, shame and cowardice, of a celebrated artist capitulating to power, yet on his own terms… Barnes interweaves the painful and the sublime to achieve an epic orchestral effect.” – Minneapolis Star Tribune


Matthew Heck

Matthew Heck is a PhD candidate in musicology at Brandeis University working with Dr. Eric Chafe. His dissertation connects theoretical explorations of Dmitri Shostakovich’s harmonic-contrapuntal language with musicological studies that emphasize the composer’s ambivalent and ironic modes of expression, situating Shostakovich’s aesthetic in the history of Russian ideas. Matthew has studied in St. Petersburg with the help of an American Councils Study Abroad Scholarship and a Title VIII Fellowship from the U.S. Department of State, and with a Mellon Dissertation Research Grant, Matthew explored Shostakovich’s datebooks at the composer’s Family Archive in Moscow. His interests extend beyond Russian Music, and his class Love is the Message: Dance Musics and Their Cultures from Disco to Dubstep won a University Prize Instructorship award at Brandeis. Matthew is also a violinist and member of the Boston Philharmonic Orchestra.

Details

Date:
June 25, 2020
Time:
3:30 pm - 5:00 pm EDT
Event Categories:
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Website:
https://brandeis.zoom.us/j/92169640037

Venue

Harvard, MA 01451 United States